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On Landscape interview

Tuesday, July 28th, 2020

Earlier this year, Michéla Griffith from On Landscape magazine reached out to me for an interview. If you’re not familiar, On Landscape is a UK-based landscape photography magazine founded by Tim and Charlotte Parkin.

I was really happy to receive Michéla’s email; she did a great job asking relevant questions. We talked about the Wilderness Project, my early inspiration, and of course public lands advocacy–a topic that is near and dear to my heart. As a Westerner, I believe public lands will be at the crux of our politics over the next few years.

In addition to a great conversation, Michéla chose some of my favorite images to feature. Both the images and the interview are in Issue 210 of On Landscape which was published last week. I talk about a couple of those images specifically and share the story behind them.

Many thanks to On Landscape for the feature and to Kyle McDougall for introducing me in his own interview several years ago! You can read the article here (it is behind a paywall).


Image of the cover of On Landscape magazine, Issue 210. Cover image is a sand dune in side light.

Unicorns, Rainbows, and Website Design

Friday, August 30th, 2013

Over the last few months, I’ve been working on a website re-design, which I finally have implemented in the last week.  You won’t see many changes here on the blog, but my image galleries have changed significantly, and I hope you’ll take a few minutes, using the links to the right, to look around and tell me what you think.

Rebuilding a website is not easy, especially for someone like me who doesn’t do it everyday.  In fact, it’s exhausting; I would often walk away from the computer feeling like my brain had turned to mush.  This is the total opposite of what I wanted to feel; I wanted to be exhilarated as i watched my website change, like unicorns and rainbows had surrounded me.  That feeling hopefully will come later, now that I have finished the task and have had some distance from the monotonous coding.  Despite the fact I feel like I lost some brain cells from the process, I do feel like every photographer should be either rebuilding their website or at least reevaluating it every couple of years.  Here’s why.

In thinking about my project, I started in the most logical place: the image.  The focus of a photographer’s website should be the photography.  I began at the ground level, working upward by re-editing almost every image on my site.  The creative process of photography, as you probably already know, only begins in the field, and it is too easy to edit an image, save it, sit back, and let it rest on its laurels for the remainder of its life.  By doing the opposite and revisiting each image, I accomplished two goals.

First, I was able to spend time with every image and decide whether I wanted to include it in my body of work.  As you browse my site, you’ll see that each image has its own devoted page.  The focus is on the photograph, and collectively they speak to who I am as an artist.  I’ve taken thousands of images, but my website has fewer than 100 on it right now–why wouldn’t I want to put my best foot forward?

Second, in the time since I’ve made some of the images on my website, my image processing skills have improved and I’ve got more tools in my digital toolbox.  Applying those has the ability to enhance images already in my portfolio.

Deciding what images to include is always a challenge.  Having edited and finalized my “candidates,” I pushed forward, choosing to include images that, despite not necessarily being huge crowed pleasers on social media sites, were consistent with my own artistic vision.  Am I saying that every image you see on my site is terribly unique?  No.  However, every image tells a story, and I hope the viewer can connect with it in some way.  Creating a personal experience for the viewer was not without sacrifice however, because I chose to eliminate certain images that may be more popular on social media, etc, at the cost of staying true my ideals.  For a photographer connected to his/her work, that can be painful and difficult, however I feel that it’s a critical and crucial step in developing as an artist.

Finally, as I said above, I wanted each image to have its own dedicated page, such that any individual photograph is not lost in the mix, so to speak.  I purchased my WordPress theme several years ago (during another website redesign) from a photography-oriented vendor, but have never been completely satisfied with their options for galleries.  The dust has cleared this week, and I realize all I’m really using the theme for now is the built-in CSS (which every WordPress theme should have), but also the menu options.  Everything else is homegrown or third-party plugin (for SEO, etc).  I think it illustrates that pre-built themes can be a good starting point, but even photographer-centric companies still don’t have everything we are looking for.

Although it’s a lot of work and can involve some ruthless culling from the herd, revisiting your portfolio from time to time can give you a good opportunity to examine and reflect on the current state of your vision, processing, and presentation.   Don’t expect any unicorns or rainbows, though.  At least not right away.

Aspens and granite boulders

New ebook announcement

Thursday, September 27th, 2012

Things have been fairly slow here on my blog lately.  That’s partly due to the fact that I’ve been working on finalizing a project that has taken up most of this year.  Along with my two co-authors–Ann Whittaker and PJ Johnson–I am happy to announce our first e-book: An Honest Silence.

An Honest Silence combines photography and a series of short essays to celebrate wilderness.  If you’ve been reading my blog, you are familiar with my writing style; PJ explores the interrelationships between art and science, as well as his experiences along the Boundary Waters canoe area in Minnesota; and Ann takes a very eloquent and poetic approach to honor her beloved redrock wilderness of the Colorado Plateau.  We are also very fortunate to have had David Leland Hyde (of Landscape Photography Blogger) write a thoughtful foreword to the book.

More and more photographers are offering books as an ebook format; this format, while getting away from a traditional book, is significantly more affordable.  We are offering An Honest Silence for $5 as a PDF download; it will be available on October 12 and a portion of the sales will go directly to the Southern Utah Wilderness Alliance.

Please join us in celebrating wilderness.

book cover to An Honest Silence: A celebration of wilderness

Camas

Thursday, May 31st, 2012

Today I received in the mail my Summer 2012 issue of Camas, a publication put together by graduate students in the Environmental Studies department at the University of Montana.  Camas celebrates the literature and photography from the West; the theme for the summer issue is ‘Restoration.’

Although not quite made in Montana, an image I made in southern California’s San Bernardino Mountains is featured in the summer issue.  Many of the West’s forests have been devastated by bark beetle infestations, leaving forests of skeletons, rather than trees.  To me, this image communicated the theme of restoration, in that some of the forests in the West are starting to recover from these insects through the use of controlled burns, cutting of infested trees, etc.

Scene in the San Bernardino National Forest

These sorts of university literary publications are common in the West (I’m not sure about other parts of the country); the University of Montana has Camas, and the University of Wyoming has the Owen Wister Review, for example.  I am happy to have my work be a part of this type of publication because they strike me as very grassroots, and are oriented towards a sense of place.  I’ve written before about how I’m proud to be a citizen of the West, and I’m proud to have my work featured in Camas.

Camas is published biannually (summer & winter) and contains literature and photography from the West.  I’m looking forward to digging into my issue.

Camas--The Nature of the West

Camas, Summer 2012

Season’s Greetings!

Saturday, December 24th, 2011

The end of another year is upon us, and I stand in awe of how quickly time flies.  Hopefully your holiday season is filled with happiness and satisfaction when you look back on 2011.  Our house is filled with family right now, and a 3-year-old who is very excited about having Grandma and Grandpa here for a visit, so I’ll probably be pretty quiet on the blog until after the new year.  Looking back, though, I am very grateful for this blog, because of all the repeated visitors who have become good friends, and the new visitors, who I hope will become friends in 2012.

Some posts on this blog generated some great discussion in 2011:

To end 2011 on a very happy note, I received word the other day that one of my images (below) was accepted to Yosemite Renaissance 27, a juried exhibit that will be on display in Yosemite Valley from February 24-May 6.  Mine was one of 48 pieces selected for the exhibit out of almost 700 entries–I’m very proud and happy to have my work displayed in this exhibit.

Reflection of a mountain peak in the John Muir Wilderness, California

High Sierra Reflection, September 2010

I sincerely hope you have a great holiday season, and a wonderful start to 2012!  I am looking forward to seeing where the new year takes us…

 

Santa Rosa Plateau, part 3

Saturday, August 8th, 2009

A vernal pool is a seasonal pool that fills up during the winter rains, and dries out slowly over spring and summer, not refilling until the following winter.  In California, Riverside County has 14 vernal pools; 13 are protected within the Santa Rosa Plateau Ecological Reserve.  When I think of this place, I think of its crown jewel–the vernal pools.

The third, and final, image I have in the Plateau’s annual art show this year is of the vernal pools:

Vernal Pools, Santa Rosa Plateau Ecological Reserve, 2009

Fairy shrimp, frogs, toads, snakes, and migrating waterfowl are just a small group of animals that call the pools home, but also rely on them to breed.

The show begins tonight, and runs through September 20.

Marginalia

Friday, August 7th, 2009

So little time to write.  So many things to write about.

  • Last night the Riverside Arts Walk was a huge success.  It was great to see so many members of the community out enjoying a beautiful summer evening of art, music and culture.  Thank you all who stopped by to look at my photographs!

arts_walk1Studio 39 before the masses descended.

  • I’m published!  Well, sort of.  Patagonia’s blog, The Cleanest Line, invited guest submissions on their theme “Backyard Adventures.”  You can read my submission here.  Very exciting, and a pretty cute kid to boot (he gets all those genes from his Mom).
  • At his blog, Guy Tal has a fantastic commentary on other photographer’s work.  He argues that instead of feeling threatened when other photographers produce beautiful work, perhaps we should be thankful for the inspiration.  I know, for my part, I feel very grateful for the beautiful photographs I see every day, and their work inspires me to produce better art work.  Visit my links page to see some of my inspiration.
  • Jay Goodrich was a guest columnist at Darwin Wiggett’s blog, with a great commentary on the use of Photoshop in photography.

Now back to our regularly scheduled programming…

Santa Rosa Plateau, part 1

Thursday, August 6th, 2009

This week is shaping up to be very busy for Alpenglow Images.  In the past I’ve entered photos in online contests, but have never shown a photo in real life, save for the ones we have hanging in our house, or ones I’ve given as gifts.  This week, I’m in two shows, which is very exciting.

Tonight, I’m participating in my first Riverside Arts Walk in downtown Riverside, and will be showing 13 photos.  Tomorrow, I’ll try to post an update with photos.  If you’re in Riverside tonight, I’d love to have you come by; my photos will be in the Life Arts Center, studio 39 (map).

The other show I’m participating in is at the Santa Rosa Plateau Ecological Reserve, near Temecula, California.  The show is one of their annual fundraisers, and this year’s theme is “A Quarter Century of Conservation and Inspiration,” to celebrate their 25th anniversary.  The Plateau is one of our favorite places to hike, because it provides a quick escape on a Saturday or Sunday afternoon, and it is very unique ecologically.  Fifty-nine “sensitive” species call the Plateau home, and it house one of the best preserved bunchgrass prairie ecosystems in California.  

I have three photos in this year’s show.  The first one I want to share with you are California’s state flower: the California poppy.

California poppies, Santa Rosa Plateau Ecological Reserve, 2009

The show runs from this Saturday, August 8 through September 20.  

Biology exposure

Wednesday, July 29th, 2009

A few months ago, my friend Nikki over at Golden West College in Huntington Beach contacted me about using one of my images on the cover of their introductory biology lab manual.  The manual is finally done, and I couldn’t be any happier with the result:

Front_cover_new

I was very happy to have an image appear on this lab manual, but I’m also very happy with Nikki’s choice of photos.  I’ve been living in southern California for almost 7 years and the Brown Pelican has been one of my favorite birds since I moved out here.  To watch them fly is to watch pure grace.  The way they skim the water, just inches from its glassy surface is–to me–poetry.  As a photographer, I’ve spent many mornings standing on the bridge at Bolsa Chica Wetlands with Pelicans fishing all around me.  Its sometimes very satisfying to put my camera down, enjoying the moment.  The Pelican you see on the cover of the lab manual was photographed at La Jolla Caves in La Jolla, CA–a location well-known to bird photographers.

We’re lucky to see these magnificent birds at all.  In the early 1970s, pesticides like DDT severely threatened the future of these birds.  Fortunately, conservation measures were able to bring them back from the brink of disaster.