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The Value of Being Wrong

Friday, March 11th, 2011

How do you find your landscape photography locations?  We’re in an age where many of us own at least one guidebook to an area; indeed, there are a lot of photography location guidebooks out there, and some of them are excellently written.

A few of you have heard my story about “Bob,” another photographer I met in Joshua Tree National Park one afternoon a couple of years ago.  I was photographing some boulders late in the day, and Bob came up, asking if he could shoot around me.  No problem.  I watched him pull a few folded up sheets out of his pocket–they were images he’d printed off the internet of other photographers’ images from the area.  He went through each one of them systematically, moving his tripod to exactly copy each photograph.  I confirmed with him that this is what he was doing.

Contrast Bob with who I call the “Wanderer”.  The Wanderer explores areas that may not necessarily be famous, but when done well, can come up with unique compositions and subtle beauty just about anywhere.  Bob and the Wanderer are the two extremes of a continuum.

Most of us, I think, lie somewhere along this continuum.  Most people are constrained enough by time (i.e. other commitments in life) that they can’t always wander as much as they’d like.  Personally, I do rely on guidebooks and word of mouth to help guide me to pretty locations, but once I’m in the area, I very often will wander, looking for unique compositions.  Fortunately, most of these locations are really conducive to letting creativity flow.

Despite relying somewhat on guidebooks, sometimes serendipity can strike in really sly ways.   In January, I followed vague directions to what is supposed to be a charming set of hoodoos in southern Utah.  From the parking area (a cow pasture), the directions I had told me to “walk up the canyon for an additional mile to the hoodoos.”  The problem is that there were two canyons.  Which way to go?

It turns out I chose wrong, and the hoodoos were nowhere to be found, even after more than a mile of walking.  I ended up at the head of a canyon that I would bet only ranchers and cows have been in for a very long time.  However, I was able to find some badlands, and one hoodoo, and I ended up really loving this image–not a bad “consolation prize” at all.

Hoodoo near Church Wells Badlands in southern Utah
Church Wells, January 2011

I guess all of this is a roundabout way of saying that even though its okay to follow directions to beautiful places, don’t be afraid to wander up the wrong canyon now and then.  You might just be delighted with what you find.

 

 

An Honest Silence

Friday, March 4th, 2011

In my blog post, “Topophilia,” an essay about the value of the desert southwest, particularly southern Utah, I wrote that I, “feel connected with the land in a way that words cannot describe.”

Indeed I do.  Some people may contend that the wild canyons and plateaus are dangerous; yes, Mother Nature can be treacherous–violently so.  However, despite that, I find sanctuary in the sandstone, a place of refuge and rejuvenation, of clarity and healing.  How can I find words to describe this place?  I may not ever be able to do it justice.

Canyon and cedar snag in the grand staircase escalante national monument, utah

Cedar Snag, Grand Staircase Escalante National Monument, August 2009

Last week, I met Ann Marie Whittaker through her blog, “Age Old Tree,”  and discovered her prose about why she loves her Red Rock Wilderness.  In a brief email exchange, I could sense a profound sense of place and love in her voice for this beautiful slickrock desert so many people fall in love with.  We need more people like Ann Marie in this world; I hope you go to her blog and read the post over and over (make sure to check out part two as well).  You’ll be inspired; I am, and I learned that its actually okay to embrace an honest silence about a place.

I’m still not sure what I want to say about southern Utah, but I’m very happy its there, and that its loved by so many.

beautiful and colorful sandstone formation, with calcite, southern utah

Sandstone Kaleidoscope, January 2011

Sonoran Sunset

Tuesday, February 22nd, 2011

This past weekend, we traveled to the Phoenix area to visit family.  Sunday night, the tail end of a strong Pacific storm was passing through the area and I hoped the sunset would be good because of several large clouds and storm cells still moving through the area.  I threw my camera bag in the car and drove to Phoenix Mountain Reserve, part of the municipal park system in metro Phoenix.

Once I arrived, I hiked a short distance to a good vantage point, where I could see to the east, and mostly to the west and waited for the light to change.  Because of the speed of the storm, conditions in the sky were changing extremely rapidly–usually not remaining static long enough for me to change lenses!  As I’d hoped, the sunset was a success.

I’ve written before about the importance of finding your own little wild places.  One thing I was grateful for in Phoenix was the ability to escape to an area to shoot beautiful landscape photographs in the middle of a large metropolitan area.  I know some cities are incorporating open space initiatives into their long-term planning; I’m not sure what the status of Phoenix’s goals is, but I am grateful for the spaces that are there!

sunset at phoenix mountain reserve, in metro phoenix arizona

Sonoran Sunset, February 2011

The Sandman’s Castle

Wednesday, February 9th, 2011

Often, the best traveling companions have a lot to teach you.  My friend Brent is one of those guys.  I can’t remember a trip with him where there wasn’t some sort of field guide pulled out for most of the drive, and I was busy learning about the natural history or some other facet of the land.  On one road trip to Utah, we had the “Roadside Geology of Utah” out for 90% of the drive.  Although I got tired of the updates at every mile marker, I have to admit that I missed Utah (and the updates) when we crossed the state line into Arizona.  I definitely learned some geology on that trip, and I have a greater appreciation of it now.

Geology, as a science, studies the forces responsible for shaping and changing the earth.  Sometimes those shapes and changes can simply be otherworldly.  On my recent visit to the Vermillion Cliffs-Paria River Wilderness in northern Arizona, I was able to witness the magnificent results of some of these forces firsthand.

On a hike early one morning, we found ourselves on a small sandstone plateau.  The sandstone was beautifully colored, but what really grabbed my attention were the bizarre rock formations.  They reminded me of some petrified prehistoric gargoyle or ruins of an ancient civilization.

Sandstone formation in the coyote buttes north, arizona

Gargoyle, January 2011

What’s happening in this image (and the one below) is called boxwork.  The idea is that the sandstone was fractured at some point, and then some sort of fluid intruded and precipitated out, but it was more completely lithified so the surrounding rock eroded before the boxwork.  I’m not entirely sure what intruded (calcite?), but it does make for very cool formations.  I hope you enjoy the images.

Sandstone boxwork in the coyote buttes north of northern Arizona

Broken Cathedral, January 2011

Saguaros in Sepia

Friday, February 4th, 2011

Hollywood and mis-informed artists.

Made the saguaro a Texas Icon.

But the saguaro only grows in Arizona.

Where people’ve got em’ out on their lawn.

The Reverend Horton Heat

Indeed, its true.  Often thought of as a symbol of the American West, the saguaro cactus (Carnegiea gigantea) is confined to the Sonoran Desert in southern Arizona, and southward into the states of Sonora and Baja, in Mexico.  However, despite its somewhat limited geographic range, the saguaro still symbolizes much of what we associate with the American West, like resilience and fortitude.  Saguaros can grow quickly, even in the hot, dry environment of southern Arizona.  On young plants, the spines can grow up to a millimeter a day.  In addition, they’re long-lived.  They don’t even start branching until they’re several decades old.

Even after their death, the skeletons of these magnificent cacti stand strong against the elements, preserved by the dry desert air.  I found a couple of cacti skeletons on a recent trip to Phoenix.  I thought the lines they made were artful, graceful, almost sensuous.

Saguaro Cactus skeleton located near Phoenix Arizona

Saguaro Skeleton I, January 2011

Detail of Saguaro Cactus skeleton near Phoenix Arizona

Saguaro Skeleton II, January 2011

Two Saints

Wednesday, January 19th, 2011

Because much of southern California lies at a relatively low altitude, several peaks in the surrounding mountain ranges are very prominent, and are quite impressive.  Two of the twenty most prominent summits in the United States–San Jacinto Peak (10,834′) and San Gorgonio Mountain (11,503′)–are located here, and are both visible Palm Springs, in the Coachella Valley.

sunrise light on Mt. San Gorgonio in southern California

San Gorgonio Mountain, January 2011

Both peaks tower over the valley by more than two miles, one of the most impressive vertical drops in the United States.  Because of the gap created by these two high mountain ranges, high winds often occur at the entrance to the Coachella Valley.  As a result, a very large wind farm is maintained in this area; some of the windmills are visible in the image above, at the base of San Gorgonio Mountain.

Ambitious hikers can hike San Jacinto Peak from the valley floor–a vertical ascent over more than 10,000′!  Others–like me–take the aerial tramway from Palm Springs to an elevation of 8,500′, making for a much more reasonable hike.  Ultra-ambitious hikers who take on the Pacific Crest Trail (PCT) must descend 10,000′ down the San Jacinto Mountains into the Coachella Valley, and almost immediately re-ascend almost the same height back into the San Bernardino Mountains (where San Gorgonio Mountain is located).  The constant up and down hiking through southern California’s mountains makes the southern part of the PCT rather unenjoyable for PCT through-hikers.  I can understand why.

Sunrise on Mt. San Jacinto, in southern California

San Jacinto Peak, January 2011

I was able to photograph these two impressive mountains last weekend as we got an early start driving to Phoenix.  We’ve had unseasonably warm temperatures in southern California for the last week or so due to a high pressure system over the Great Basin, but the snow is still heavy at the high altitudes, as you can see in these photos.  The thing I like about these peaks is that you can go from a true desert ecosystem to an alpine ecosystem, while coving a very small horizontal distance.

I hope you enjoy these impressive mountains as much as I do!

(Re)alignment

Friday, January 14th, 2011

Ask almost any photographer and they’ll tell you that one of the most difficult aspects of their art is writing an artists’ bio.  Kah Kit Yoong, in a recent blog post, lamented that writing his own bio felt like,

tiptoeing the tightrope between modesty and shameless self-aggrandizing.

Yup.  That about sums it up.  Over the last few days, I’ve been working on a rewrite of my own bio and have felt like I’ve been walking a tenuous line the entire time.  My biggest goal was to make myself sound real, that the images I make and the places I visit are important to me.  I owe many thanks to my wife and friends (including David Leland Hyde) for reading drafts and offering suggestions for improvement; I hope you read the finished product by clicking on the ‘About’ tab at the top of this page, or by visiting the ‘About‘ page on my main website.

Why did I have a sudden desire to write my own bio?  There are a couple of reasons.  I wrote my original bio very early in my photographic career, and while I didn’t write what I thought people would want to read, I also didn’t have a clear vision for my work.  Now, several years have passed, and I’ve evolved.  My photographic focus is becoming somewhat narrower–I want to make images of scenes that give me a sense of belonging to the environment.  The new bio reflects that desire.

My second reason to rewrite now sprouted from my most recent trip to the Southwest.  Being back in a small town, close to slickrock and the fantastic sunrises and sunsets that help characterize the area really crystallized the need to realign my life–to simplify and focus.  I doubt any big changes will happen in my life soon, but I’m happy to have a “bigger picture” goal in mind.

Detail of sandstone in the north coyote buttes area of northern arizona

Luminous, January 2011

What obstacles have you run into while writing your bio, or while trying to describe your vision?  How have you overcome those obstacles, and where have you found inspiration?

Ice Abstracts

Wednesday, January 5th, 2011

Several years ago, Ernest Atencio wrote an essay called “Little Wild Places”  in which he talked about wild places–even the smallest ones surrounded by city–as locations where we can rekindle our relationship with the natural world.

On our recent visit to Wyoming, I was lucky to have a creek to walk near several times.  Deer visit the creek daily; raccoons, pronghorn antelope, grouse, several small rodents, and other birds are not infrequent visitors.  One afternoon on my walk, the abstract patterns of the ice struck me and I attempted to make some abstract images of it.

abstract image of ice on a creek in winter

Ice Abstract I, December 2010

While making these images, I looked up, briefly, and saw one of the creek’s residents–a small mouse–bolting back into the underbrush.  I think it must have been as surprised as I was–what a strange being it encountered on the side of *its* creek!

abstract image of ice on a creek in winter

Ice Abstract II, December 2010

If you’re interested, there was quite a bit of technique that went into making these images.  Each one is a composite of 9 separate RAW files.  I wanted to maximize depth of field, so I focused at three separate planes through each image.  Each of these was then combined in Photoshop to maximize depth of field (I’ve blogged about this technique in the past).  At each plane of focus, I bracketed the exposure to maximize the dynamic range that was captured in the scene.  Finally, I converted the image to monochrome using Nik’s Silver Efex Pro, and added a slight silver-blue tone to convey the sense of a chilled winter day.  So, I guess these are HDR, focus-bracketed ice abstracts.  Whew…what a mouthful.  I hope you just think they’re pretty.

I was thankful to have this little wild place to not only rekindle my connection with nature, but also to foster some creativity in my photography.

How do you use little wild places?

Photo of the Month–January

Saturday, January 1st, 2011

Happy New Year!  I can’t believe 2011 is already here.  While my to-do list from 2010 hasn’t gotten any shorter, I’m very much looking forward to the new opportunities, friendships and collaborations that 2011 has in store.

Over the holidays, we visited family in central Wyoming.  While there, I had the opportunity to visit Devils Tower National Monument in the northeastern part of the state.  Devils Tower (yes, the apostrophe has been eliminated from the name) is an igneous intrusion that arose when the Rocky Mountains and Black Hills were uplifted, allowing volcanic magma to leak through the earth’s crust about 65 million years ago.  The tower is the result of that leakage.

I took this image on Christmas Eve morning; one of the coldest mornings I’ve ever done photography.  The temperature was near 0°F with high humidity; in the hour or so before sunrise I had frost forming on my camera’s tripod and lens hood.  My breath caused more frost to form on my ball head.  But, once the rising sun illuminated the tower, it made the very cold wait worth it.  I thought the setting moon was an added bonus here.

I hope you enjoy this image; have a great January!  Click here to see the rest of my images from Devils Tower.

Dramatic sunrise light illuminates Devils Tower, in northeastern Wyoming

Devils Tower sunrise, December 2010

Finding Solace

Tuesday, December 21st, 2010

“We Americans are great on fillers, as if what we have, what we are, is not enough. We have a cultural tendency toward denial, but, being affluent we strangle ourselves with what we can buy. We only have to look at the houses we built to see how we build against space, the way we drink against pain and loneliness. We fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there…”

Gretel Ehrlich, The Solace of Open Spaces

It wasn’t until I left Wyoming to live in southern California that I read these words by Gretel Ehrlich.  Although there are some beautiful open spaces left in southern California, and some communities have progressive open space initiatives, you’re still surrounded by ~5 million people.  Still, they provide an escape, if only for a few hours, from everyday life in southern California.  However, having returned to central Wyoming for a visit earlier this week, I now realize just how much Ehrlich’s words resonate with me.

Standing on the prairie north of Cheyenne with the cold December wind blowing in my face, I knew I could look for miles across the bunchgrass, knowing I was one of very few people for almost 100 miles.  I took a deep breath and smiled.  Yes, perhaps we do build against space (are we afraid of what we might find if we explore that space?), but sometimes that space brings a very special kind of solace.

Happy Holidays to you and yours.  Thank you for reading and participating on my blog this year; it really does mean a lot to me, and I appreciate it more than you know.  I’ve got a few blog posts planned for the rest of this year, but am looking forward to a productive and creative 2011!

A sunset on the eastern Wyoming plains north of Cheyenne

Solace, December 2010

A critic would criticize this image for having nothing interesting in the foreground.  But, that’s sort of the point.  🙂