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A strange visitor at Badwater

Tuesday, February 23rd, 2010

This weekend, a friend and I drove to Death Valley National Park.  I had heard there is currently water in Badwater Basin, and wanted to see it, as well as photograph it.  Since Death Valley usually does not get enough rain to allow for standing water in the basin, this is a rare event (since January 1, Furnace Creek has received over 2″ of rain).  On Friday, we arrived at Badwater about 3pm, and immediately headed to the West Side Road in search of photo opportunities.

On Friday, another storm moved into the area.  In my experience, bad weather can either lead to amazing light conditions, or to very poor conditions for photography.  Unfortunately, in this case, it was the latter.  There wasn’t much of a sunset on Friday night.  However, after dark, we headed back over to the Badwater parking area and walked out on the salt flat.  Because conditions were poor for star trail photography, my friend and I did some light graffiti–one of his newest hobbies.  I have to disclose that I really did nothing here, except for stand behind the camera, but this one is called ‘Badwater Blooms’.

light graffiti on Badwater Basin in Death Valley National Park, California

"Badwater Blooms", Death Valley National Park, February 2010

As we were experimenting with different bloom configurations, the strangest thing happened.  We thought we were alone on the salt flat, but off in the distance, we could make out a figure walking towards us.  Ours was the only car in the parking lot, and no one had arrived, so we tried to say hello, thinking the person may be lost or need help.  The figure didn’t say anything, but as it got closer to us, a bright light appeared behind it, and the figure disappeared, almost as quickly as it had appeared.

I managed to snap this photo before it disappeared.

a strange silhouette in Badwater Basin, Death Valley National Park, California

A strange visitor, Death Valley National Park, February 2010

Was the visitor from another dimension?  Did it exit through a portal that’s only open when Badwater Basin is full of water?  I’m not sure.

Unfortunately, we didn’t have much better light the next morning; in fact, we had really poor light.  However, Saturday night, we had the best light I’ve had in quite some time.  I’ll share those images in my next post.

You can see all my Death Valley images here.

Tuolumne Meadows in summer

Thursday, February 4th, 2010

If you ask my wife, patience is not one of my virtues.  I usually want instant solutions to problems, and you do not even want to be around me at Christmas (little kids have nothing on me!).  However, in photography, I tend to have significantly more patience.  I’m happy to wait several hours for a shot, and lately I find myself sitting on images for days, weeks or even months before processing them.  This potentially has a lot of benefits: it helps us assess their artistic value without the excitement of having fresh images hang over our head, and it also forces us to be patient and thorough in post-processing.

The image I processed tonight benefitted from my waiting, I think.  I took this panorama of Tuolumne Meadows, in Yosemite National Park, last August, but I haven’t processed it until tonight.  Once I got home, I wasn’t really excited about the way it looked.  But, tonight, that golden light on one of my favorite meadows made me wistful for the high country, as well as letting me look forward to summer.  This is a 10-frame panorama of the meadows; I processed each RAW file 3 times, at -2/3, 0, and +1/3 EV then combined them in Photoshop using the blending technique recently described by Younes Bounhar.

I’m pleased with the result; clicking on the image will link you to a larger image file so you can more fully appreciate the detail here!   I love panoramas because they really bring you into the scene.  Enjoy!

Tuolumne Meadows panorama, Yosemite National Park, California

Tuolumne Meadows panorama, Yosemite National Park, California, August 2009

Click here to see all of my Yosemite National Park images.

Photo of the Month-February

Monday, February 1st, 2010

I really cannot believe that January–1/12 of 2010–is already behind us.  It seems like just yesterday we were all sharing our favorite images of 2009, and we’ve already created so many fantastic images this year.

Here in southern California, the weather is already starting to feel spring-like.  Around my house, the hillsides are turning the vibrant green that will be with us until April.  There’s talk of a decent wildflower season after our epic rainfall totals during the last couple of weeks.  While our spring will have moved into summer by the time the rest of the nation begins theirs, I’m looking forward to all of those spring time photo outings–the ones where you (should) take just a few moments to bask in the warm sunlight, or in a grass-filled meadow.  I’m also looking forward to hopefully fitting in our annual trip to Death Valley National Park this year.

If you haven’t been, Death Valley is a pleasantly deceiving national park.  The idea of “DEATH Valley” brings to mind a barren landscape that’s, to put it bluntly, boring.  Anyone who’s been there will tell you the opposite.  Its an amazing park, encompassing many ecosystems, and several natural wonders.  What amazes me is how much diversity is present in a relatively small space.

One of my favorite places in Death Valley is the Racetrack Playa, where the famed “racing rocks” are found.  The playa itself is a very flat surface; its altitude varies only a few centimeters across its 1-mile length!  When the playa is wet (as it probably is now), it makes a very slick surface, and high winds push the “racing rocks” along, leaving tracks that remain after the mud has dried.  Many of the rocks are quite large, and I’m happy I haven’t been on the playa during the winds that are capable of pushing rocks that heavy–I would guess there would have to be gusts in excess of 80 or 90 mph!

This month’s photo is a star trail shot I took in April 2009 on the Racetrack.  It is a composite of about 25 2.5-minute shots, stacked using Photoshop.  I wanted to include the north star–Polaris–in my shot, so I had to look for a rock that had a northerly trajectory–apparently there aren’t many!

racetrack star trails

Star trails on the Racetrack Playa, Death Valley National Park, April 2009

G. Dan Mitchell, an excellent San Francisco Bay Area photographer, has recently been writing a couple of very informative and comprehensive guides to visiting Death Valley.  You can see them here and here.  Mac Danzig, who has an amazing Death Valley portfolio, also has taken the time to write an excellent guide to Death Valley here.

You can see all of my Death Valley photographs here.

The evolution of an image, and the value of critique forums

Saturday, January 30th, 2010

Like any artist or hobbyist, photographers spend a lot of time learning skills to make themselves better–they want to make their images better, they want to better define their vision, and, alas, they try to make their websites better too.  In the midst of all the things out there to help you improve your photography, a very simple move you can make is to start participating in an online community that includes image critique forums.  Both Bret Edge and Justin Reznick have recently blogged on this topic, but I wanted to throw my $0.02 in, with a slightly different twist.

I began participating in photo critique forums over at Photo.net in 2005, not long after I started shooting.  At the time my images were pretty bad–by all measures, they simply weren’t that good.  While I did receive some constructive feedback, I mostly got images bashed by non-nature photographers.  They weren’t trying to be mean, but as I said, the images were pretty bad.  However, in 2006, I discovered Naturescapes.net and began participating in earnest.  My photographs, well, they still weren’t good, but I quickly became part of a community that helped me learn to improve not only my technique behind the camera, but also my post processing skills as well.

There are many important steps you can take to help improve your photography, and I believe that participating in a forum is one of them.  If you decide to participate, you SHOULD expect to put in just as much as you get out of it.  In other words, you need to participate, not just post a photo now and then, expecting everyone to fix your problems for you.  Also, you SHOULD feel free to ask questions.  In my personal experience, the forums I participate in are filled with people way more knowledgeable than I am, and I know I’ve looked like a doofus more than once with my questions.  While they may be snickering, people are always very nice in answering questions.  You also SHOULD have fun with it.  Although we are critiquing others’ photographs, forums are really a celebration of what we love doing: photography. Embrace that.

That said, if you decide to participate in a forum, you SHOULD NOT take it personally if someone says they don’t like one of your photos.  Ideally, that person would give you some reason as to why they don’t like it, but if they don’t it shouldn’t matter.  Photography–like any art form–is highly subjective, and if someone says s/he doesn’t like it, it shouldn’t stop you from liking your photo.  Beauty in photographs goes way beyond the surface, and viewers cannot always detect the special meaning behind a photograph. With that in mind, you SHOULD give critiques as you would want to receive them.  Not only will receiving critiques make you a better photographer, critiquing others’ photos will help that as well.  In that sense, participating in a forum will help crystallize your own photographic vision.  Finally, you SHOULD NOT be intimidated or threatened by other peoples’ outstanding images (yes, I know of people who feel very threatened…that for every good image someone else makes, they lose business….hogwash).  I feel honored to be able to share my work with these fantastic photographers; their work continues to inspire, motivate and humble me.  That’s the way it should be: photographers should encourage and inspire one another…not compete.

So what does the title of this post have to do with all this?  I write the above because I know what a valuable resource photography forums are, and I’ve just had (yet another) experience that proves it to me.  Last November, I made a quick run out to Joshua Tree National Park, with the intention of photographing Arch Rock.  That night, I took a star trail image, with the arch as the main subject, but I could never get it to work for me…something about the processing just looked “off”.  Last weekend, I saw a similar image of another arch, and thought, “Hey, I’ve got a shot very similar to that…maybe I can get it to work for me!”

When I got home, I pulled up the RAW file and processed it.  I wanted the arch to have a very warm feel, as I’d painted it with my headlamp, and I wanted it to stand out against the sky.  What I ended up with was a cool effect, but not what I remember seeing.  I posted it to Naturescapes.net and, while everyone agreed it looks cool, it just seemed a little too bizarre.

Arch Rock at night, Joshua Tree National Park, Californi

Attempt 1, Joshua Tree National Park, California, November 2009

Even with city lights nearby, I do not remember the sky looking that golden…er…pumpkin…that night.  While it occurred to me to use some layer masking, Alister Benn made some invaluable comments in guiding me on re-editing this image.  Alister is a master of night photography, and with his comments in hand, I re-edited the image, really making it pop.

Star trails over Arch Rock, Joshua Tree National Park, California

Star trails over Arch Rock, Joshua Tree National Park, California, November 2009

What I didn’t do is make a bombastic, unrealistic image from a RAW file.  I used valuable comments from a critique and discussion forum to process an image so that I had a realistic representation of the scene.  Many thanks to Alister, and to all my online friends for making for making this a great community of photographers!

Bryce Canyon sunrise

Wednesday, January 27th, 2010

As I promised in my last post, here are a couple of sunrise photos from my recent trip to Bryce Canyon National Park.  Although it was my first sunrise in the park, anyone would quickly realize that Bryce is truly a place to see the sun come up!  We elected to go to Sunrise Point, and although it was very pretty, I’m convinced Sunset Point would have been equally as beautiful.  After waddling (I say ‘waddling’ because the trail from the parking area is was steep and icy) carefully to the point, we enjoyed near solitude as the horizon was beginning to light up an intense red color.  I’m pretty sure this red was at least partly due to emissions from the Navajo Power Plant, almost 90 miles away in Page, Arizona, but it was still very pretty.  Within minutes, the snow in the Amphitheater was glowing pink, and the hoodoos were beginning to light up.

Early morning light on the Amphitheater, Bryce Canyon National Park, Utah

Morning Alpenglow, Bryce Canyon National Park, Utah, January 2010

As soon as the sun came up, the entire Amphitheater enjoyed a brief, glorious, glow that lasted only a few minutes.  Within about 20 minutes of the sun cresting the horizon, the show was over.

Sunrise, Bryce Canyon National Park, Utah

Sunrise, Bryce Canyon National Park, Utah, January 2010

Not only is Bryce perfectly suited for early morning shots, its good proof to the photographer that it really pays to be there early!  To see all of my images from Bryce, click here.

Zion National Park “wildlife”

Thursday, January 21st, 2010

When I pulled into the visitor center lot at Zion a couple of weeks ago, there were 3–three–cars in the parking lot besides my own.  If you’ve been there during the high season, you know that’s unheard of; unless you’re there at 5am, you are not getting a parking spot at the visitor center!  The solitude that comes during winter in Zion is pretty amazing.  In the canyon, there are birds everywhere–spotted towhees, dippers along the river, etc–and driving into the east side of the park, you stand a good chance of seeing desert bighorn sheep.

A desert bighorn sheep (Ovis canadensis nelsoni) in the Zion National Park high country, Utah

Desert Bighorn Sheep (Ovis canadensis nelsoni), Zion National Park, January 2010

We saw several bighorns between the tunnel and the park’s east entrance, and I do not know if I’ve ever seen one there in the summer.  Perhaps they spend the hot summer months at higher elevations, but regardless, it was a real treat to see these sheep.

There’s no question desert bighorns are true rock climbing masters; their hooves stick to the sandstone very well.  Amazingly, there is another group of specially adapted rock climbers that is often seen in Zion.  Driving up the canyon, admiring the Virgin River, we ran across a group of these climbers.

A rock climber ascends the route Moonlight Buttress, Zion National Park, Utah

Climber on Moonlight Buttress, Zion National Park, January 2010

Zion is a practically a Mecca for rock climbers.  While I’ve always thought it would be very cool to tackle a rock wall like this, I have never gotten into this kind of climbing.  I’ll leave it to the pros!

To see all of my Zion National Park images click here.  My desert bighorn sheep images (from both Zion and Joshua Tree National Park) can be found here.

A busy 2010

Tuesday, January 19th, 2010

Its been a very busy 2010; so far I’ve taken photos in 3 states, as many national parks (Bryce Canyon, Yosemite, and Zion), and have added 2 new pages of landscapes (here and here) to my website.  I’m finally home in southern California, and we’re in the midst of what the TV weatherman is calling an “epic” series of storms.  This gives me time to catch up on image editing, as well as sharing images here on my blog.

About a week and a half ago, I had two posts on the “icons” (here and here), and I shared several of my images from Yosemite National Park.  The week after returning from Yosemite, we headed to northern Arizona in hopes of photographing parts of the Vermillion Cliffs wilderness.  Wet weather made the dirt roads impassable (bummer), but we spent a couple of days in Zion National Park before heading to our next destination instead.  Zion isn’t as photogenic in winter as in summer or fall, but there are few (if any) crowds, which is virtually an unknown if you’ve visited in the summer!

I found winter a great time to explore the more intimate scenery of Zion.  While in the canyon one morning, I was struck by the colorful reflections the sandstone walls were casting on the Virgin River.  By playing with different exposures, I got an intimate, abstract image I’m very happy with.

Sandstone reflects in the Virgin River, Zion National Park, Utah

Virgin River Reflections, Zion National Park, January 2010

In my next post, I’ll share some images of the wildlife that can be found in Zion in the winter…

Book recommendations

Saturday, January 16th, 2010

As a teacher, my spring semester doesn’t begin until February 1, so I’ve had time to do some reading.  I’ve recently finished 2 books that I found fantastic, and would like to recommend them to you.  A little over two months ago, I wrote about how I seem to have been stricken with a bad case of Topophilia.  In trying to reconnect with southeastern Utah, two of the books I’d like to recommend are by David Roberts.

The first book, In Search of the Old Ones: Exploring the Anasazi World of the Southwest, takes the reader along on his 20-year journey through the Southwest and he recounts the history of the discoveries, the appalling thefts of artifacts, the cave paintings and his own transcendent experiences in stumbling upon some vestige of this lost civilization.  His awe and reverence are contagious.

In Search of the Old Ones by David Roberts

Click the image or here to purchase this book from Amazon.com.

The second book, also by David Roberts is Sandstone Spine: Seeking the Anasazi on the First Traverse of the Comb Ridge. Fueling both my Topophiliac tendencies and my desire for adventure, this book describes–as the title says–the first traverse of Comb Ridge, which runs almost all the way from Kayenta, Arizona to Blanding, Utah.  Its a fantastic, fun read.

Sandstone Spine by David Roberts

Click on the photo or here to purchase the book directly from the publisher, The Mountaineers Books.

Finally I have an unsolicited, but heartfelt recommendation for a photography guide.  On July 10, 2006, on my first trip to Yosemite National Park, I purchased Michael Frye’s The Photographer’s Guide to Yosemite and have found it to be a continued valuable resource.  Buy it and study it; most of the locations are easy to get to, and the superb advice will have you there at the right time of day.  You can click here to see some of the images I’ve made in Yosemite using this book as a reference.

Michael Frye, The Photographer's Guide to Yosemite

Click on the image, or here, to purchase this book directly from the Yosemite Association.

Cross bedding abstract, Zion National Park

Thursday, January 14th, 2010

Sedimentary rocks are normally deposited as horizonal layers. Even when folded or tilted by faulting the originally horizontal layering is obvious. Upon closer examination, however, you may see very fine layers (usually 1 to several mm thick) that are at an angle to the main bedding. These tilted layers contained within larger layers are termed cross bedding.

What a mouthful right?  As sandstone is formed, sand is laid down, either by prevailing wind current, or water current.  However, over geologic time, those currents shift, causing sand to be laid down in a different direction.  What you get is cross bedding.  I love all the cross bedding in Zion National Park and thought it would make for a good abstract photo.  To make this, I intentionally underexposed the photo by ~1 stop, to emphasize the shadows, then I converted to black and white in Photoshop and applied a very light tint to the image.

Cross bedding abstract photo, Zion National Park, Utah

Cross bedding abstract, Zion National Park, January 2010

You can see all of my Zion National Park images here.

The Icons, reinterpreted

Thursday, January 7th, 2010

In my last post, I talked about how there may not be a whole lot of “original” compositions left of the “icons” (especially considering the vast numbers of photographs taken of them!).  While I may not be the most authoritative person to speak about making fine images of anything, there were two themes that struck me in the discussion of that post.

First, maybe instead of shooting the icons for the sake that they’re icons, perhaps we should look around and find new ones.  While I surely haven’t created any new icons with my photography, over the last 1.5 years or so, I’ve made a strong effort to “peel the reptilian scales from my eyes” and look around me.  For instance, last week, I was standing in El Cap Meadow in Yosemite, when I turned around to get something out of my bag, and saw this fantastic fog coming in from the river behind me.  Despite the fact I was standing at the base of a true icon, I gladly ignored it for a few minutes to make this image:

Pine trees and fog, El Capitan Meadow, Yosemite National Park, California

Pine trees and fog, El Capitan Meadow, Yosemite National Park, December 2009

The other theme that came out of my last post was trying new interpretations of the well-photographed icons.  As it happens, one of my New Years Resolutions for 2010 is to focus more on the “intimate landscape” present within the grander one.  While in Yosemite last week, I looked for the intimacy present in the landscape and found it was all around me.  Here are a couple of my intimate interpretations of some icons:

Detailed image of the face of El Capitan, Yosemite National Park, California

Face of El Capitan, detail, January 2010

Detailed image of Upper Yosemite Falls in winter, Yosemite National Park, California

Upper Yosemite Falls, detail, January 2010

And one for the bonus round, can you guess what icon this is (it would be easy enough to cheat, but that wouldn’t be any fun!)?

Half Dome detail, Yosemite National Park, California

What Icon is this?, January 2010

Here’s to making an effort to “see” the icons in a different way.  While I still don’t believe there’s anything wrong with shooting them as is, challenge yourself to see them differently–you might just love what comes out of the effort.