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Big Adventure, Small Scale?

Thursday, March 11th, 2010

I have to admit that although I’m fortunate to find great photography subjects close to home–often in my backyard!–the act of working really hard for an image brings a lot of satisfaction.  Sometimes working that hard for an image can bring big adventure–and some hair-raising experiences to the table as well.

As I write this, I’m reminded of two such days.  The first is last August, in the Grand Staircase-Escalante National Monument.  A friend and I drove up from southern California, and my dad drove out from New Mexico, and we spent a few days making images in the canyons of this wonderful wilderness.  On our second day–my dad’s day to pick how we spent the day–we hiked into Neon Canyon to visit the Golden Cathedral.  The hike was fantastic–7 miles round-trip, all cross country–and the photography was phenomenal.  However, it was August, and we were feeling the August heat–95+ degrees.  I remember standing knee-deep in the Escalante River that afternoon thinking that there really was no place on earth I’d rather be at that moment.  Hiking out of there was also the hottest, hardest work I’ve done in quite a while.

The second day was satisfying in a similar way, but a little more hair-raising.  Again I was with my dad, and we were hiking through the Left Fork of North Creek–the Subway–in Zion National Park.  If you’ve hiked it from top to bottom, you know that the descent from the upper bench into the canyon is a bit hairy.  Although I’m not normally one to flinch at such things, I decided to try an alternate route down that day, as I saw a small trail heading off to my left.  It seemed like a good idea for a while, but suddenly the earth gave out from underneath me, sending me head over heels down a gully…and toward a 75-foot drop off.  After the second turn in the gully, I slid out of my dad’s line of sight, so all he could hear was me cursing and grasping for roots as I slid by.  Finally one stuck, and I stopped, but not before I was bloodied and pretty battered.  To add insult to injury, I landed in someone’s cathole (fortunately I didn’t land in “it” but it was too close for my taste)–don’t ask me who would find that a convenient spot to relieve themselves.  I crawled back up and the rest of the day all I had to worry about was soaking my camera gear.  My elbow still hurts from that day.

Recently, I was talking to a big wall climber who sort of guffawed at my sense of “adventure”.  I guess because I’m not scaling El Capitan, my adventures weren’t quite worthy of praise–maybe because my pack is filled with an SLR body and a bunch of glass instead of a climbing rack, I’m not as cool.  C’est la vie.  Its important to remember that adventure comes in all sizes–its your perception of it that makes it special and memorable.

What are some of your adventures?  Do you have any especially memorable experiences that have come out of working for an image?  Maybe you got caught in an epic storm, or had to outrun a rabid badger.  These are the experiences that make our “backyard adventures” just as cool as redpointing a new route on El Capitan…

The Golden Cathedral, Grand Staircase-Escalante National Monument, Utah

The Golden Cathedral, Grand Staircase-Escalante National Monument, Utah

Inspiring Creativity

Monday, March 8th, 2010

What inspires your creativity?  Although my day job has really had me tied down as of late, this is something I’ve been thinking a lot about.  A couple of my other colleagues have also been writing on it too (here and here), but I wanted to share a couple of things that help to inspire my creativity.   Maybe its more appropriate to say they inspire my inspiration.

With the little free time I’ve had recently, I’ve been reading David duChemin’s excellent e-books, The Inspired Eye and The Inspired Eye II.  These books have many great qualities.  They’re written for pretty much any photographer–any artist–they can be picked up during your lunch break, they give you a lot to think about, and they only cost $5 USD each.  For the price, I don’t think you can get a better book on inspiring your creativity.

Ian Plant has recently begun a new series of blog posts he calls “Behind the Lens.”  I think this has been a fantastic series so far, where Ian shares his thoughts and some secrets behind the creation of some of his favorite images.  They aren’t step-by-step “create-an- image-just-like-this” tutorials, but rather starting points to see the world differently the next time you go out with your camera.  This is definitely a blog worth subscribing to, and being inspired by.

As for myself, I feel that my own style and vision has become more crystallized over the last few months.  Much of the credit goes to friends and photographers like those above who share what they’ve learned over the years.  My Facebook, Twitter and Blogroll are full of photographers who continue to challenge and inspire me every day.  Turning over rocks and keeping your eyes open all the time are an excellent way to inspire your own creativity.

So, I ask you, what inspires your creativity?  Feel free to share experiences and links in the comments.

I’m looking forward to sharing some of my recent inspiration with you in the next few weeks.  Stay tuned!

Ponderosa Pine and Navajo Sandstone, Zion National Park, Utah

Ponderosa Pine and Navajo Sandstone, Zion National Park, Utah

Photo of the Month–March

Monday, March 1st, 2010

March’s Photo of the Month comes from Lost Dutchman State Park near Phoenix, Arizona.  I visited the park in January while my wife was helping her sister plan for the upcoming arrival of our niece.  In addition to the proximity to the greater Phoenix area and huge selection of hiking trails, the main draw of Lost Dutchman has got to be the rugged and beautiful Superstition Mountains rising out of the desert floor abruptly and confidently.

This month’s photograph shows the western flank of the Superstitions bathed in warm late afternoon light.  I chose to use this cholla skeleton as a FG element because it seemed to be pointing me to a fantastic composition!

Superstition Mountains in Lost Dutchman State Park

Western Flank of the Superstitions, January 2010

If you clicked on the link to Lost Dutchman State Park above, you couldn’t miss the red box informing us that the park will be closing indefinitely on June 3, 2010.  Apparently, that part of Arizona’s budget has lost a significant amount of money during restructuring, causing the closure.  I think the restriction of access to any open space is a great loss to us as a community.  It prevents us from enjoying our parks, but more importantly it robs us of a chance to connect with the land, and wild places.  I hope the Arizona government finds a way to keep their state parks open, or at the very least, to reopen them as soon as possible.

You can see all of my photos from the Superstition Mountains here.

More from the Superstitions

Thursday, February 18th, 2010

Sometimes the best-laid plans just don’t come to fruition.  On our recent visit to Phoenix, I planned to get up very early (i.e. ~4am) drive to the Peralta Canyon trailhead and hike ~3 miles to the Weaver’s Needle Overlook to watch the sun come up, and to get that really sweet crepuscular light that happens in the desert.  Easy enough, right?  I ended up having a couple of roadblocks on my journey to ‘the Supes’.

  • Roadblock #1.  Two days before I intended to hike, I came down with the worst head cold I’ve had in several years.  I’ll spare you the mucus-y details, but use of my nostrils was completely nonexistent, and my head felt like it was completely detached from my body.  As a result, a 4am departure time didn’t seem feasible.  I settled on getting up at 4:50am, figuring that if everything went smoothly, I’d still make it up to the overlook by 7:15am sunrise.
  • Roadblock #2.  Of course everything didn’t go smoothly.  I really like Phoenix–its a great town, and its super easy to navigate as the streets are laid out in a logical grid pattern.  That said, there are exceptions, and a poorly marked detour can throw an out-of-towner like me out of whack.  Driving from my sister-in-law’s house, I wanted to connect from I-10 to US Hwy 60 to drive to the Superstitions.  The connector ramp was closed, and the flashing sign said to take I-10 to McClintock instead.  OK.  After driving nearly 15 miles south (I wanted to go east), I finally stopped and asked for directions.  I got on my way then.  OK, well, that cost me about 15 minutes.  But if I really hoof it, I can make it, right?
  • Roadblock #3.  I finally made it to the Peralta Road east of Apache Junction, and as I began driving the 7 miles toward the trailhead I was met by school buses.  Lots of them.  School buses…on a Forest Service road on a Sunday.  What doesn’t compute here?  After I met the school buses, I was met by runners.  Lots of them.  It turns out it was the annual running of the Lost Dutchman Marathon, and I was driving up their course!  After slowly navigating several hundred finish-line-bound runners, I finally made it to the trailhead about 6:50am–25 minutes before sunrise.

I like to say that I’m a pretty fast hiker, but I’m not that fast.  I didn’t make it to my destination by sunrise, but the hike was nice, and in hindsight the chain of events I encountered getting to the trailhead were almost comical.  I even ended up with a nice photo or two out of the deal.  It was definitely a good lesson not to take things so seriously.  Things won’t always come together as you planned, but if you fail to see the forest for the few negative trees, you’ll miss out on some great experiences.

Weaver's Needle from Weaver's Outlook Ridge, February 2010

Weaver's Needle from Weaver's Outlook Ridge, February 2010

The evolution of an image, and the value of critique forums

Saturday, January 30th, 2010

Like any artist or hobbyist, photographers spend a lot of time learning skills to make themselves better–they want to make their images better, they want to better define their vision, and, alas, they try to make their websites better too.  In the midst of all the things out there to help you improve your photography, a very simple move you can make is to start participating in an online community that includes image critique forums.  Both Bret Edge and Justin Reznick have recently blogged on this topic, but I wanted to throw my $0.02 in, with a slightly different twist.

I began participating in photo critique forums over at Photo.net in 2005, not long after I started shooting.  At the time my images were pretty bad–by all measures, they simply weren’t that good.  While I did receive some constructive feedback, I mostly got images bashed by non-nature photographers.  They weren’t trying to be mean, but as I said, the images were pretty bad.  However, in 2006, I discovered Naturescapes.net and began participating in earnest.  My photographs, well, they still weren’t good, but I quickly became part of a community that helped me learn to improve not only my technique behind the camera, but also my post processing skills as well.

There are many important steps you can take to help improve your photography, and I believe that participating in a forum is one of them.  If you decide to participate, you SHOULD expect to put in just as much as you get out of it.  In other words, you need to participate, not just post a photo now and then, expecting everyone to fix your problems for you.  Also, you SHOULD feel free to ask questions.  In my personal experience, the forums I participate in are filled with people way more knowledgeable than I am, and I know I’ve looked like a doofus more than once with my questions.  While they may be snickering, people are always very nice in answering questions.  You also SHOULD have fun with it.  Although we are critiquing others’ photographs, forums are really a celebration of what we love doing: photography. Embrace that.

That said, if you decide to participate in a forum, you SHOULD NOT take it personally if someone says they don’t like one of your photos.  Ideally, that person would give you some reason as to why they don’t like it, but if they don’t it shouldn’t matter.  Photography–like any art form–is highly subjective, and if someone says s/he doesn’t like it, it shouldn’t stop you from liking your photo.  Beauty in photographs goes way beyond the surface, and viewers cannot always detect the special meaning behind a photograph. With that in mind, you SHOULD give critiques as you would want to receive them.  Not only will receiving critiques make you a better photographer, critiquing others’ photos will help that as well.  In that sense, participating in a forum will help crystallize your own photographic vision.  Finally, you SHOULD NOT be intimidated or threatened by other peoples’ outstanding images (yes, I know of people who feel very threatened…that for every good image someone else makes, they lose business….hogwash).  I feel honored to be able to share my work with these fantastic photographers; their work continues to inspire, motivate and humble me.  That’s the way it should be: photographers should encourage and inspire one another…not compete.

So what does the title of this post have to do with all this?  I write the above because I know what a valuable resource photography forums are, and I’ve just had (yet another) experience that proves it to me.  Last November, I made a quick run out to Joshua Tree National Park, with the intention of photographing Arch Rock.  That night, I took a star trail image, with the arch as the main subject, but I could never get it to work for me…something about the processing just looked “off”.  Last weekend, I saw a similar image of another arch, and thought, “Hey, I’ve got a shot very similar to that…maybe I can get it to work for me!”

When I got home, I pulled up the RAW file and processed it.  I wanted the arch to have a very warm feel, as I’d painted it with my headlamp, and I wanted it to stand out against the sky.  What I ended up with was a cool effect, but not what I remember seeing.  I posted it to Naturescapes.net and, while everyone agreed it looks cool, it just seemed a little too bizarre.

Arch Rock at night, Joshua Tree National Park, Californi

Attempt 1, Joshua Tree National Park, California, November 2009

Even with city lights nearby, I do not remember the sky looking that golden…er…pumpkin…that night.  While it occurred to me to use some layer masking, Alister Benn made some invaluable comments in guiding me on re-editing this image.  Alister is a master of night photography, and with his comments in hand, I re-edited the image, really making it pop.

Star trails over Arch Rock, Joshua Tree National Park, California

Star trails over Arch Rock, Joshua Tree National Park, California, November 2009

What I didn’t do is make a bombastic, unrealistic image from a RAW file.  I used valuable comments from a critique and discussion forum to process an image so that I had a realistic representation of the scene.  Many thanks to Alister, and to all my online friends for making for making this a great community of photographers!

Chocolate and flowers, reinvented

Thursday, January 28th, 2010

Valentine’s Day is just around the corner; its a perfect day to reconnect and to remind each other what you mean to one another.

One of the most popular gifts on Valentine’s Day is chocolate and flowers.  These are both a tried and true tradition on February 14, however, despite the giver’s best intentions, neither gift will last for very long.  This year, I suggest you put a new twist on the traditional chocolate and flowers, and give my Chocolate Lily print to your loved one.

Chocolate Lilies

Chocolate Lilies, April 2009

Chocolate lilies are a widespread but relatively uncommon plant in several places along the Pacific coast.  I photographed these flowers last spring at one of their strongholds, the Santa Rosa Plateau Ecological Reserve, in the southern Santa Ana Mountains, near Murrieta California.

From now through February 14, I’m offering this print at a 30% discount.  All other floral photography is 20% off.

And, if you’re wondering, my wife already has this print hanging in our house.

In search of my own SEO Zen

Saturday, January 23rd, 2010

Although you probably haven’t noticed many changes on my website lately, I’ve been working very hard behind the scenes to make it easier for you to navigate, as well as easier for search engines such as Google to find me and my photography.  Everything is the world of search engine optimization, or SEO, is pretty new to me, but I’ve learned a lot in the last few months.  I really have Phil Colla to blame…er…thank for this, due to one of his blog posts last May.  Basically, as happens all to often with me, I needed the obvious to sink in.  What I learned is that if I want people to enjoy my photography, I have to work to let them find me…the hordes won’t come rushing in on their own.

Since then, I’ve been reading a lot of great blog posts by other photographers (here and here) on their own search for SEO Zen, as well as reading about it straight from the horse’s mouth, so to speak.  After making my changes, I entered my website’s URL into a free SEO tool over at websitegrader.com.

SEO badge for alpenglowimagesphotography.comAccording to the folks at websitegrader.com, I scored a 93%, which in my book is an A.  What this means is that of the millions of websites that have previously been evaluated, their algorithm has calculated that my site scores higher than 93% of them in terms of its marketing effectiveness. The algorithm uses a proprietary blend of over 50 different variables, including search engine data , website structure, approximate traffic, site performance, etc.

In addition to this, I also moved from a Google Page Rank of 0 four months ago, to 2 as of yesterday afternoon.  Considering that a 6 is the best you can do, this much of an improvement seems significant to me.

So what now?  Obviously, I’ll be tweaking things over the next few months, to try to improve not only my Google Page Rank, but also my score over at websitegrader.com.  Go ahead and give it a try…its fun!

Book recommendations

Saturday, January 16th, 2010

As a teacher, my spring semester doesn’t begin until February 1, so I’ve had time to do some reading.  I’ve recently finished 2 books that I found fantastic, and would like to recommend them to you.  A little over two months ago, I wrote about how I seem to have been stricken with a bad case of Topophilia.  In trying to reconnect with southeastern Utah, two of the books I’d like to recommend are by David Roberts.

The first book, In Search of the Old Ones: Exploring the Anasazi World of the Southwest, takes the reader along on his 20-year journey through the Southwest and he recounts the history of the discoveries, the appalling thefts of artifacts, the cave paintings and his own transcendent experiences in stumbling upon some vestige of this lost civilization.  His awe and reverence are contagious.

In Search of the Old Ones by David Roberts

Click the image or here to purchase this book from Amazon.com.

The second book, also by David Roberts is Sandstone Spine: Seeking the Anasazi on the First Traverse of the Comb Ridge. Fueling both my Topophiliac tendencies and my desire for adventure, this book describes–as the title says–the first traverse of Comb Ridge, which runs almost all the way from Kayenta, Arizona to Blanding, Utah.  Its a fantastic, fun read.

Sandstone Spine by David Roberts

Click on the photo or here to purchase the book directly from the publisher, The Mountaineers Books.

Finally I have an unsolicited, but heartfelt recommendation for a photography guide.  On July 10, 2006, on my first trip to Yosemite National Park, I purchased Michael Frye’s The Photographer’s Guide to Yosemite and have found it to be a continued valuable resource.  Buy it and study it; most of the locations are easy to get to, and the superb advice will have you there at the right time of day.  You can click here to see some of the images I’ve made in Yosemite using this book as a reference.

Michael Frye, The Photographer's Guide to Yosemite

Click on the image, or here, to purchase this book directly from the Yosemite Association.

The Icons, reinterpreted

Thursday, January 7th, 2010

In my last post, I talked about how there may not be a whole lot of “original” compositions left of the “icons” (especially considering the vast numbers of photographs taken of them!).  While I may not be the most authoritative person to speak about making fine images of anything, there were two themes that struck me in the discussion of that post.

First, maybe instead of shooting the icons for the sake that they’re icons, perhaps we should look around and find new ones.  While I surely haven’t created any new icons with my photography, over the last 1.5 years or so, I’ve made a strong effort to “peel the reptilian scales from my eyes” and look around me.  For instance, last week, I was standing in El Cap Meadow in Yosemite, when I turned around to get something out of my bag, and saw this fantastic fog coming in from the river behind me.  Despite the fact I was standing at the base of a true icon, I gladly ignored it for a few minutes to make this image:

Pine trees and fog, El Capitan Meadow, Yosemite National Park, California

Pine trees and fog, El Capitan Meadow, Yosemite National Park, December 2009

The other theme that came out of my last post was trying new interpretations of the well-photographed icons.  As it happens, one of my New Years Resolutions for 2010 is to focus more on the “intimate landscape” present within the grander one.  While in Yosemite last week, I looked for the intimacy present in the landscape and found it was all around me.  Here are a couple of my intimate interpretations of some icons:

Detailed image of the face of El Capitan, Yosemite National Park, California

Face of El Capitan, detail, January 2010

Detailed image of Upper Yosemite Falls in winter, Yosemite National Park, California

Upper Yosemite Falls, detail, January 2010

And one for the bonus round, can you guess what icon this is (it would be easy enough to cheat, but that wouldn’t be any fun!)?

Half Dome detail, Yosemite National Park, California

What Icon is this?, January 2010

Here’s to making an effort to “see” the icons in a different way.  While I still don’t believe there’s anything wrong with shooting them as is, challenge yourself to see them differently–you might just love what comes out of the effort.

The Icons

Tuesday, January 5th, 2010

Every national park has its icons: Death Valley has Zabriskie, Canyonlands has Mesa Arch, Zion has the Watchman, the Great Smoky Mountains have Clingman’s Dome, and Yosemite has, well, too many to count (they are, after all, what makes Yosemite one of the most photographed places on the planet).  These icons are what draw people to our national parks and wild places, and especially they are what draw photographers to these places.

A quick Google image search for “Mesa Arch” yields ~220,000 results; “Half Dome” yields 4.3 million (!!) results.  The one time I was at Mesa Arch, I shared it with 7 other photographers; on New Year’s Eve, I shared the Valley View vista in Yosemite with at least 10 other photographers when I captured January’s image of the month.   Admittedly, I have mixed feelings about this.  On one hand, as a citizen of this country, I’m happy to see people in their national parks, enjoying the vistas, standing in awe next to me.  On the other hand, part of me wants to stand in this grand place alone.  I doubt the latter is going to happen any time soon, so I have to focus on the former, and be happy about it.

Yes, I may be producing images of the same icons as those 10 other photographers around me.  I’m sure out of those 220,000 results for Mesa Arch, mine is in there somewhere, and there probably are some that were taken by other photographers the same morning as me.  But, I don’t really care.  The images I make of these icons make me happy, and photographing them is fun.  When it stops being fun, its not worth doing any more, right?

So, I’m not going to stop photographing icons any time soon, which means you’ll have to endure looking at them.

However, one of my resolutions for 2010 is to shoot more ‘out of the box’ images.  I’ll share some of those in my next post.  But, for now, a couple of my favorite icons.  Enjoy!

Zabriskie Point, Death Valley National Park, April 2007

Zabriskie Point, Death Valley National Park, April 2007

El Capitan, Yosemite National Park, California, January 2010

El Capitan, Yosemite National Park, California, January 2010