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My 5 favorites of 2009: #3

Monday, December 28th, 2009

The next image in my year-end lineup includes a human element.  In August, we visited the Grand Staircase-Escalante National Monument in southern Utah.  Although my “day job” allows for plenty of photography time, my days off to shoot either lie in the heat of summer, or the dead of winter.  Thus, visiting the Escalante in August, was…um…hot.  But it was very worth it.  On our second day there, we decided to visit a feature known as the Golden Cathedral.  Getting there is not really tough–it involves about 5 miles of cross country hiking, but getting there is all downhill.  Plus, once you’re in the floor of the canyon (the last mile) you’re protected from the heat of the day.

We spent about 1 hour shooting in the Cathedral, but my favorite shot to come out of the day was one I took of my friend Brent, who was kind enough to stand still for all 3.2 seconds this exposure took.

Be sure to check out my first two images of 2009 here and here.

Inside the Cathedral, August 2009

Inside the Cathedral, August 2009

My 5 favorites of 2009: #5

Saturday, December 26th, 2009

It always seems like the end of the year is a good time to look back and reflect.  As a photographer, I think its instructive to do the same thing; by looking at what I’ve learned, what I tried and what didn’t work over the last year, it helps to make my images better.  As such, I’ve chosen to finish this blog year by choosing five of my favorite images from 2009.  These images may not be my absolute best of 2009, but for various reasons, they’re the ones that mean something to me.

As a post-Christmas special, I’m offering 30% off the purchase price of these five prints through January 15.

I hope you enjoy them!

The first of my five favorite images of 2009 was somewhat planned, somewhat not.   In October, my friend and I headed to the Sierra Nevada to attempt to find fall colors (looking in the archives, you’ll our hopes fell flat…alas).   Because we left work late, we camped in the Alabama Hills outside of Lone Pine, CA.  I had been looking forward to photographing Mobius Arch (aka Galen’s Arch) for several months and had visualized in my mind’s eye the nighttime shots you can see on this page for months.

That star trail shot almost made my top five for the year.  However, early the next morning, the alpenglow on the Sierra was unreal.  The sky lit up a beautiful purple color, and the mountains turned a lovely light pink.  For about 5 minutes, it was unreal.  The moon was setting over the Sierra, adding to the scene.  Thus, Mobius Arch at dawn is the first of my five favorite images of 2009.

Mobius Arch at dawn, October 2009

Mobius Arch at dawn, October 2009

I recently had this image printed as a 12×18, and it really does look phenomenal.  It will hang in a friend’s home eventually, but right now I’m enjoying it in my own!

Happy Holidays!

Wednesday, December 23rd, 2009

With the upcoming holidays, my blog participation will be spotty, but I wanted to take a moment and wish you a very happy holiday season, and a fantastic start to 2010!  I’ve enjoyed all of my interactions with both new and old friends this year, and look forward to many more in the next few months.

Again, Happy Holidays, and good light to you…

Poinsettias, November 2009

Poinsettias, November 2009

The Rise

Monday, December 14th, 2009

Today’s post comes from my new friend and fellow photographer Jay Goodrich.  After reading my post on Topophilia, Jay contacted me with his interest in contributing a story about how the landscape of southern Utah has touched him.  You can read his story, The Rise, below, as well as enjoy some original images from Jay.  Additionally, make sure to check out Jay’s photographs here, and subscribe to his blog here.  Thanks Jay!

The Rise © Jay Goodrich

I stand in the middle of a valley surrounded by rock formations. I can not see any of them yet, but I know they are there. It is so dark that I can not even tell if there are any clouds lingering to add to the drama of photography this morning. Red earth all over my shoes, my clothes. It is in my hair, my nose, my ears, and even my eyes. It was a little windy yesterday. I look to where I think the horizon is but I see nothing but a big black void. There is not a soul around, it is completely silent. I am for once, early. I head to the back of my truck to grab my backpack and my tripod. The rear bumper is covered in a layer of red powder about an eighth of an inch thick. I write “wash me” in it. As I open the door the dust stirs into little tornados before it falls back to the earth. My pack and tripod have traces of the deep maroon powder all over them as well. I stumbled upon this place yesterday afternoon.

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I am a bit tired. I spent the evening shooting star trails only to realize that morning was going to come way too soon. There is a crispness in the air, it tingles as it enters my nose. It reminds me of that sound you hear when a person bites into the perfect fall apple. A little pop, followed by a sweet aroma; I can just taste the explosion of flavor. Vapor crystals leave my nostrils and mouth and scatter as far as I can see. I hope that my mission is going to yield imagery that ties over my soul for awhile – this is my last day here.

I pull the Petzl lamp out of my pack and wrap it around my head. I turn it on, throw the pack onto my back, adjust the straps and buckles, sling the tripod onto my shoulder with one hand, and close the truck door with the other. More dust scatters. I start to walk into the belly of monuments and darkness. I am now the only light source.

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As I stumble to my location, a calm comes before me. It was like I donned that old comfortable shoe that was completely molded to the contours of my sole. I began to run on auto pilot. The light was starting to fill the sky. At least, enough that I could see those rock formations. They were looking a little pink. This place is so magical. I knew that would change as the sun began its race to the other side of the planet. It always starts as pink, or tan, something very subtle and muted, pastel. And depending on the atmosphere, the day could become, gold, yellow, orange, red, crimson, maroon, or any variant there of, a perfect contrast to that deep blue fall desert sky. The formations – sharp and jagged to smooth and bulbous. Why this place over any other? The mountains are my home, but this place speaks to me like no other.

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As the sun begins to come up there is a slight breeze. It is the souls of those rock formations coming alive, they are looking for warmth as am I. The hair on the back of my neck stands on end, like it does when I feel the gentle kiss of my wife. My pupils dilate. I feel the eye muscles tighten. The sun is showing her face ever so slightly. The warmth begins to bathe me and all of my surroundings. The crystals from my breath fall away closer to their origin. I quickly realize It is going to be a golden rise. Everything is covered in hues of yellow and orange. I look through my viewfinder one last time. God I love this place. And click.

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Dreaming of the San Juans

Monday, December 7th, 2009

Growing up in northwestern New Mexico, one of the easiest mountain ranges to escape to were the San Juans of southern Colorado.  An impressively rugged range, the San Juans were my playground in high school for skiing, camping, and backpacking.  I have a lot of fond memories in this range, and because of its rugged demeanor, I have always enjoyed photographs from the area.

In response to Jim Goldstein’s call for photographers to obtain photographs from their own favorite photographers (was that as confusing as it sounded?) I recently contacted Guy Schmickle, who lives right at the base of the San Juans, about a possible print exchange.  Guy and I have interacted a few times over email, but I was happy to hear about his excitement over Jim’s project.  After a long discussion with my wife, we chose one of Guy’s prints to have in our house–the American Basin Waterfall–because it captures my love for this mountain range, and her love of waterfalls.  He chose my “Stars over Mobius Arch” in return, and we exchanged 8 x 12s of these images.

It was really rewarding to do this exchange with Guy; I’ve admired his work for quite a while, and the photo looks fantastic hanging in our house.  Now, if we could only settle on a spot for it to stay (my wife has tried out 2 locations already)…

American Basin Waterfall, Guy Schmickle

Cedar Mesa, Utah

Sunday, November 29th, 2009

We just returned from my parents’ house in New Mexico, and in classic Topophiliac fashion, I made a quick day trip to the Cedar Mesa in southern Utah.  As a best estimate, it had been 9 years since I last visited this area, and returning only confirmed for me that it really is one of my favorite places to be.  Since I only had one day, the locations I visited were a little cliché and iconic, but it satiated my soul.  

I made my first visit to the ruin known as “Flaming Roof Ruin” or “House on Fire Ruin”.  It really is beautiful, and humbling, to be able to spend a couple of hours in such a historic location.  

 

Flaming Roof Ruin, November 2009

Flaming Roof Ruin, November 2009

I’ll have more posts from this amazing ruin, as well as other locations on my day trip in the next few days.  Getting to spend the day on Cedar Mesa with my Dad was one of the many things I was thankful for this last week.  I hope you were able to celebrate everything you’re thankful for this year…

Another silhouette from Joshua Tree National Park

Monday, November 23rd, 2009

As a follow-up to my last post on shooting silhouettes, I couldn’t help but share one more.  In the spirit of letting the subject speak for itself, I wonder what this subject is saying?

Self Portrait, Joshua Tree National Park, January 2009

Self Portrait, Joshua Tree National Park, January 2009

I think it has something to do with his desire to impersonate a large yucca.

Stark: photographing silhouettes

Friday, November 20th, 2009

Almost any photographer will tell you that they enjoy making images of pretty things.  Obviously “pretty” is subjective, but I’d lay the bet that most photographers wouldn’t argue with me.  Often times, I feel like I’m speaking for the subject by saying, “Hey, this place is really cool, look at it and admire it!”

Its natural for any artist to speak for their subject, and I really don’t believe there’s anything wrong with it.  But, sometimes, its nice to let the subject speak for itself.  This is why I like photographing silhouettes.

Joshua Tree Sunset, Joshua Tree National Park, California

Joshua Tree Sunset, Joshua Tree National Park, California

A silhouette–of a tree, mountain range, anything–stands before you, stark and naked, telling its own story.  Joshua trees (Yucca brevifolia) were given their name by Mormon pioneers crossing the Mojave Desert in the mid-19th century.  Their shape reminded the pioneers of a biblical story in with Joshua lifted his hands to the sky in prayer.  Looking at the above silhouettes of the joshua trees, you can almost see them raising their arms upward, paying their homage to the last vestige of the sun.

Twisted Dawn, Joshua Tree National Park, California

Twisted Dawn, Joshua Tree National Park, California

I’ll continue to speak for the land through my photography.  However, I think its instructive and important to find a way to let your subject speak for itself; sometimes its just screaming to be heard.  Finding your own powerful way of doing that will only help to make you a better photographer.

Featured Photographer–Bret Edge

Wednesday, November 18th, 2009

Bret is the third featured photographer in my series on Topophilia, finding your sense of place in the canyons of southern Utah.

As I mentioned in a previous post, one of the reasons photographers seem drawn to southern Utah because of the solitude.  According to the US census department, the population density in San Juan County, Utah in 2000 was 1.8 people/square mile.   Parts of southern Utah have some of the darkest night skies in North America.  So, that solitude isn’t an illusion–you really can be the only person for miles.

One of the reasons I admire Bret Edge’s photography so much is that he has a knack for capturing that  vast solitude without making you feel lonely.  A look through his portfolio has many images that interpret the expansive landscapes of southern Utah in a very real and tangible way.

I first met Bret late in 2008 through interactions on Naturescapes.net; he offered a ton of helpful advice as my wife and I planned a short trip to Moab after Christmas.   Since then, I’ve appreciated his honest, thoughtful and constructive feedback on my own and other photographers’ images.  Although not a Utah native, Bret has the pleasure of living in Moab, and by his own confession, he is practically addicted to the area.  He and his wife moved there almost 4 years ago, and have embraced the landscape (he proposed to his wife under Delicate Arch!)…and its embraced them.  Bret says, “Funny how Moab and the Southwest just kind of grabs hold of you and doesn’t let go.”

From his home base in Moab, Bret offers dynamic workshops and photo tours (which you can read about here) in the Moab area and beyond.   In addition to registering for one of his workshops, make sure to subscribe to his blog for trip reports, new images, gear reviews and workshop updates.

Canyonlands Sunrise by Bret Edge (used with permission)

Canyonlands Sunrise by Bret Edge (used with permission)

Featured Photographer–Guy Tal

Friday, November 13th, 2009

Guy is the third featured photographer in my series on Topophilia, finding your sense of place in the canyons of southern Utah.

In my next post, I’ll be writing about the grand, wide open landscape that draws tourists and photographers to southern Utah.  However, if you look closely, you will also find an intimately beautiful landscape–one that is not immediately apparent, but if you take the time to find it is equally rewarding.

Working on these posts, I’ve enjoyed getting to know my friends a little bit better.  I respect all of their work immensely, and aspire to have as breathtaking a portfolio as any one of them.  Over the course of my photographic career, Guy Tal has inspired me in many ways, but one that stands out is his expertise in bringing the intimate landscape of southern Utah to life.  Whether you’re in Utah or Ohio or Alberta, Guy’s images are a reminder to stop and look at the details.

In his comment on my first post in this series, Guy said:

“This place does something to you. I couldn’t rest until I managed to make a home here, and no other place ever felt more like home to me. More amazing is the fact that I keep discovering it over and over in deeper and more profound ways every time I step out the door.”

Guy’s thoughts crystallize for me the most salient theme in this series of posts: that, in a very real way, going out is really going in.  I have heard that several times throughout my life, but until you actually experience that idea, they really are just words.  I feel fortunate to have a group of colleagues (in other photographers) who feel the same way.

 

Monets Valley by Guy Tal (used with permission)

Monet's Valley by Guy Tal (used with permission)

You can visit Guy’s website here, and subscribe to his blog here.  In addition, Guy leads photo workshops, with the most recent one being in Capitol Reef National Park.  You can read about them (and sign up for one!) here.